1.请问哪个平台可以在线观看恐怖片《镜子的另一面：纽波特民歌艺术节1963~1965》？

晓晓影院网友：镜子的另一面：纽波特民歌艺术节1963~1965高清无广告在线播放地址https://www.xcyhd.com/video/94046.html

2.恐怖片《镜子的另一面：纽波特民歌艺术节1963~1965》上映时间？

88影院网友：未知 年

3.恐怖片《镜子的另一面：纽波特民歌艺术节1963~1965》演员列表？

365影院网友：Bob Dylan Joan Baez Judy Collins  

4.网友怎么评价《镜子的另一面：纽波特民歌艺术节1963~1965》？

星辰影院网友：这个题材，做成这样，真的很不容易了。尤其是，影片在影像上非常有特点，大量的特写镜头、跟拍、手持，以及碎片式剪辑，营造出强烈的恐慌与不安感。这种情绪，其实就是角色在片中的情绪，它以影像的方式，最直接延伸给观众。

草民电影网网友：一个好的导演，是会调教演员的，知道演员的优势在哪里。《镜子的另一面：纽波特民歌艺术节1963~1965》像极了一道来自异域的夏日甜品，虽然不是主菜的配置，但却也有着勾人的独特风情。坦白说，最初的确是冲着Murray Lerner  导演的名号看的，毕竟人家讲故事的功力摆在那里，但一开始就入了坑也是我怎么都没料到的。

豆瓣网网友：放在豆瓣语境下，是部时至今日终于拍出来的美国 “高分欧美剧”。拿现实题材拍商业类型片，社会意义摆在那，群戏也处理得相当不错。对我们国家而言，这样的电影多一部是一部，走一步是一步。

影片语言：

IMDB评分：1.0分

资源类别：正片、高清完整版

资源更新：超清

剧情介绍：Murray Lerner  导演执导的《镜子的另一面：纽波特民歌艺术节1963~1965》，未知年上映至今获得了不错的口碑，由Bob Dylan Joan Baez Judy Collins  等主演的一部不错的恐怖片。

    "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his mand of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly being. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without ment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are mitted and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

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